Location: Beth Tikvah Synagogue, Toronto, ON
Description: 3 Windows
The windows are an invitation to prayer. The background of each window is suggestive of the time of day for prayer, and together the three windows express an eternal cycle and passage of time. A blue thread that is woven through the windows adds a dynamic, energetic element that binds them together.
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Location: St. Patrick’s Home, Ottawa, ON
Description: 6 entryway glass door panels for the chapel
“Trees are the earth’s endless effort to speak to the listening heavens.” RABINDRANATH TAGOR
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Location: Prospect Cemetery and Mausoleum, Toronto, ON
Description: One of 14 Windows & Bas Relief Sculptures
“In these windows the light beckons us above and beyond the earthly event depicted with tactile immediacy in the bronze sculpture. The true meaning of this event is to be found in the world that lies through the archway in the centre of the window: a brilliant, ecstatic landscape of light.”
PETER COFFMAN
Location: Ontario Association of Architects, Toronto, ON
Description: 6 exhibition windows for the stairwell
“The OAA was an ideal locale for Sarah’s architectonic focus in the Wind’s Eye Exhibition. The Recollections panels are flat rectangles of white opal glass screened with successive melded ground plans and elevations of architectural archetypes, flanked at the left and right by screened images of Egyptian Pharaoh Akhenaton as visionary and sage. The panels, evocative of a universal geometry, blended neatly with the three-dimensional geometry of the OAA building itself and are fully complementary to their architectural environment.”
K. COREY KEEBLE
Location: World Youth Day HQ, Koln, Germany
Description: Prayer room window & tracery
This was the beginning of my transition to more painterly work using enamel techniques. It has not been a one-way trip. I still used antique glass and leaded techniques when the window and the setting called for it, but this window heralded a new adventure in colour and light.
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Location: Gwen Harris Concert Hall, Paradise Valley, AZ
Description: 36 clerestory art glass windows
My intention was to make joyous, expressive, lyrical windows to accompany the music in the concert hall. The shapes are based on my sketches from local desert plants. The desert forms are overlaid with rhythmic measures of musical composition, using the baton patterns universally employed by conductors. These intersections give an ever-changing illuminated pattern of crossings and sense of journey.
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